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Read the articleSixteenth Street Baptist Church, Birmingham, Alabama / Memorial
Small donations in Wales helped create a stained-glass window for Sixteenth Street Baptist Church. John Petts's surviving designs trace the making of that gift.
The window Wales gave Birmingham began with an appeal for small donations. After the bombing of Sixteenth Street Baptist Church, Welsh artist John Petts worked with the Western Mail newspaper to fund a replacement window. Each person's contribution was capped, giving many donors a share in the gift.

The September 15, 1963, bombing killed Addie Mae Collins, Denise McNair, Carole Robertson and Cynthia Wesley. All four were children. The criminal cases took decades: Robert Chambliss, Thomas Blanton and Bobby Frank Cherry were eventually convicted in separate proceedings.
Petts's design depicts a Black Christ with outstretched arms and a rainbow above. The National Park Service describes one hand as resisting oppression and the other as open in forgiveness. The finished window was shown in Cardiff before its journey to Birmingham, where the dedication service took place on June 6, 1965.
The artist's work survives on paper as well as in glass. The National Library of Wales holds preliminary studies and the final design, alongside material about the window's creation and dedication. The drawings offer a way to follow the decisions behind the finished work.
At the church, the window stands alongside exhibits about the congregation and the girls who were killed. It also preserves a connection across the Atlantic: an artist's labor and many small contributions, gathered into a gift for a damaged church.

Explore the regional book
The Birmingham Files covers the Sixteenth Street Baptist Church bombing and its prosecution alongside the Hawes murders, Anthony Ray Hinton and other local cases. Explore the investigations behind this city's wider history.
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Follow the record
This original companion article offers a separate, focused look at the public record. Historical images are identified as contextual where appropriate.